Best of the Decade

While of course I’ll write a post about what caught my eye this year, I wanted to take some time to highlight what were the best performances, movies, or stretch of movies over the past decade.  What do we call this decade? Is this the teens? Does that mean we’re about to embark on the roaring 20s again?

Though political machinations have made the last three years feel like they were a decade in their own right, entertainment since 2010 has really seen a lot of change: three Tonight Show hosts, two Late Night hosts, two different Spiders-Man, nearly every movie in the Marvel Cinematic Universe, two different Batmen, the rise and fall (and rise?) of the DC Comics movies franchise, the rise and fall and rise and fall of Ben Affleck, Netflix becoming the most powerful player in the TV landscape, and – oh yeah – the return of actual Star Wars movies to theaters. Suffice it to say, it’s been a memorable decade. Let’s take a look and see what the true highlights were, shall we?  (Note: As always, this is an extremely personal list. You’ll notice no mention of “sitcoms” created by Lena Dunham, nor any shows about and/or containing dragons, to name a few. Glad if others enjoyed them, but they are definitely not for me.)

Best: New “Star Wars” Movies! In 2005, I went to see the first showing of “Revenge of the Sith” in London with my brother and some friends from college. I then saw it six more times in the theater, because it was billed as the final Star Wars movie.  So imagine my shock in 2012 when Disney purchased Lucasfilm and promised to release more movies. “The Force Awakens” was amazing, “Rogue One” was inspiring, and then “The Last Jedi” and “Solo” left me wanting. Also worth mentioning the fantastic “Rebels” animated series here.

Best (for a while): The McConnaissance: Between his bonkers cameo in “Wolf of Wall Street,” his star-making turn in “Dallas Buyers Club,” and the one-two punch of him and Woody Harrelson in “True Detective,” McConaughey could do no wrong.  And then, of course, he made a movie in which he plays a fisherman in a video game. And “Interstellar.” No good thing lasts. 

Best: Sam Rockwell: “The Way, Way Back” is an underrated gem, and though he was primarily known as merely a character actor for much of the decade, Rockwell scored back-to-back Oscar noms (and a win) for his turns his “Three Billboards” and “Vice.” 

Best: The Marvel Movies: Imagine introducing Thor, and Captain America, and Black Panther, and (the best version of) Spider-Man, and Captain Marvel…and then also making several movies wherein they team up? And having each of those movies make hundreds of millions of dollars, and be entertaining (“Thor 2” excepted)? It’s a stunning achievement that so many studios tried to copy (DC and Sony tried to make cinematic universes out of Batman/Superman/Wonder Woman and Spider-Man/Sinister Six, and Universal wanted to make a Dark Universe out of its horror movie monsters).  It’s an incredible accomplishment. 

Mixed Bag: Other Comic Book Movies: “X-Men” movies were both great (“Days of Future Past,” “First Class”) and terrible (“Dark Phoenix,” “Apocalypse”); their spin-offs were good (“Logan,” “Deadpool”); and some of the DC Universe movies were enjoyable (“Joker,” “Wonder Woman,” “Man of Steel”) while others (“Justice League,” “Batman v. Superman,” “Aquaman”) were what this critic might call “atrosh.”

Best: Netflix Series: “Master of None.” “GLOW.” “Love.” “Russian Doll.” “Tidying Up with Marie Kondo.” “Black Mirror.” Both iterations of “Wet Hot American Summer.” And dozens more. It’s no wonder that Disney+ and Apple+ wanted in on the streaming action. 

Worst: Most Reboots and Remakes: Not everyone needed to know about the continuing adventures of the Tanner Family (“Fuller House”) or “Will and Grace.”  Similarly, did we need another “Magnum, P.I.,” another “MacGyver,” or another “Hawaii 5-0?” 

Best: Zoe Kazan: “Ruby Sparks” was brilliant, her work in “Olive Kitteridge” was Emmy nominated, I loved her on “The Deuce,” and then she goes and makes “The Big Sick,” which was the best movie of the year in 2017. (I also *loved* “What If” with her and Daniel Radcliffe.)

Best: Michael Keaton: from getting a scene-stealing turn in “The Other Guys,” to being a great MCU villain in “Spider-Man,” to “Spotlight” and “Birdman,” and even “The Founder,” Keaton put together an incredible decade.

Best: Jake Gyllenhaal: What a weird decade. He moved on from chasing box-office glory (“Day After Tomorrow,” “Prince of Persia”) to really interesting artsy territory (and, you know, “Spider-Man: Far From Home”). His work in “Wildlife,” “Stronger,” “Everest,” “Southpaw,” “End of Watch,” “Nightcrawler,” and “Source Code” show an actor who is hitting his stride.

Best: Bradley Cooper aka Cooper Bradley: “Silver Linings Playbook.” “American Hustle.” Rocket Raccoon. “American Sniper.” “Limitless.” All great. And then he gives us the best movie of last year, “A Star Is Born.”

Worst: Blah Origin Stories: How many “Robin Hood” movies did we need? Surely not the two we got. (Bonus points if you remember both “Robin Hood” movies this decade. One had Russell Crowe!)

Best: Quality Sitcoms: “Happy Endings,” “The Good Place,” “Suburgatory,” “New Girl,” “Brooklyn 99,” most of “Parks and Rec,” most of “Community,” “Superstore,” “Silicon Valley,” the best (i.e. non-first season) of “Cougar Town,” and “Veep” really set a high bar for laugh riots.

Best: Bill Hader: His work on SNL and in “Trainwreck,” were great, and then he went and made “Barry” into one of HBO’s best shows in years.

Best: Brie Larson: Also great in “Trainwreck,” plus solid work to garner an Oscar in “Room,” and then an incredible MCU debut with “Captain Marvel.” Even her work in “21 Jump Street” was great!

Worst: Unnecessary Sequels: The “Hangover” Sequels totally sully the good work of the first one. “Wreck-It Ralph 2” was clearly a cash grab. “Independence Day: 2” might be the biggest drop-off in quality from one film to the next since…well, “Jurassic World 2: Fallen Kingdom.”

Worst: No National Treasure 3?
I mean, what are we even doing here then? 

Worst: Seriously? They made a TV show…musical….called Crazy Ex-Girlfriend? Oy. Hard pass.

Best: Some Reboots (When done properly): “Creed” and “Jurassic World” put oomph back into their respective franchises (though their sequels did not continue the upward momentum).

Best: Guilty Pleasures: “This is Us” reliably tugs on the heart strings every week. “Hart of Dixie” – a show about Zoe Hart, a City doctor who became a small town physician – lasted four majestic seasons. “Girl Meets World” – while admittedly a cash grab – finally answered what happened to Mr. Turner. And “The Challenge” produced a lot of memorable drama, and a number of Johnny Bananas and Cara Maria wins.

Worst: Seriously?? When you watch award shows and things like “Green Book,” “The Shape of Water,” and “The Marvelous Mrs. Maisel” win awards but Amy Poehler never got an Emmy for Leslie Knope, you know that…well I guess that award shows are meaningless!

Best: Amy Adams: Her role in “Arrival” alone probably gets her on this list, but also her work in “Sharp Objects,” “American Hustle,” “Her,” “The Master,” “The Muppets,” and “The Fighter.”

Best: Don Cheadle: His work on “House of Lies,” “Black Monday,” and as Rhodey in the MCU made it a fine decade for the actor. Speaking of “House of Lies…”

Best: Kristen Bell: Her work on “House of Lies,” “Veronica Mars,” “The Good Place,” and brief cameos on “Parks and Rec” moved Bell to the A-list.

Best: Rami Malek: His work on “Mr. Robot” (even when the show’s quality has waned) is fantastic, and when you’ve won an Oscar and an Emmy in the same decade, you’re obviously doing something right.

Best: Other Streamers: Disney+ only just started but it already has a content library (MCU/Star Wars/Old Disney) that will sate me for weeks on end; Amazon Prime and Hulu had quality offerings (“The Handmaid’s Tale” being the best of the lot); and even Yahoo rescued “Community” for its last season.

Best: HBO dramas: “The Leftovers” – What an amazing three-season journey the Garvey/Durst clan took us on. “Boardwalk Empire” and “The Deuce” were the network at its best. And the aforementioned first-season of “True Detective” was sublime. And I may be one of the only ones left, but I’m still a huge “Westworld” fan.

Best movie of each year of the decade:
2010: The Social Network
2011: Drive (this year was hardest for me to choose from of the decade, easily; I also loved 10 Years, Planet of the Apes, First Class, the first Captain America, and more.)
2012: Avengers
2013: Prisoners
2014: Lego Movie
2015: Force Awakens
2016: Arrival
2017: The Big Sick
2018: A Star is Born
2019: Avengers Endgame

Best: This Blog!: Because it gives me a reason – frequently – to thank you for reading my rambling, nonsensical thoughts on the entertainment industry.

The Future of the Sitcom

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Adorkable

Adorkable

Recently (since 30 Rock ended its run, and with The Office set to close its doors in May), people have begun to speculate on what the sitcom landscape will look like in the near future. Vulture has gone so far as to throw the gauntlet down and declare New Girl the best sitcom on TV. (Although they’ve also recently undergone the task of looking back to the sitcom past). And so I couldn’t help but wonder, where are we headed with sitcoms? Continue reading