Well, as John Oliver rightly noted, 2016 was not a good year. And while I’ll do my best to keep updating this space, regular readers (if there is such a thing) can vouch that I’ve been lacking in posts; mostly because it feels like the world is falling apart. (I say this not as a wholly political statement; for instance, Alan Thicke and Florence Henderson and George Michael have passed while I’ve been working on this draft. Update: Carrie Fisher, too.) But with that said, entertainment is often a good way to express discontent with the current political and social climate, and can often serve as a distraction from, well, our impending doom. So enough prologue: I humbly submit the winners and losers of the entertainment world that were on my radar in 2016.
News has broken that there will be an all-female reboot of “Ocean’s 11.” The remake will be headlined by Sandra Bullock, and produced by her friend George Clooney. For sake of argument, we’ll assume she’s playing the Danny Ocean role (Danielle Ocean?). But who should play everyone else? Let’s break it down. Continue reading
As I do every year, I try to make my Oscar picks as soon as the nominations are out, so that I’m not biased by any campaigning. In recent years, that’s gotten more difficult as more and more awards shows have become televised, and clear-cut front runners become locks earlier and earlier. That said, here’s who I expect to win. Also, please note that the fact that “The Lego Movie” was snubbed from the Best Animated Feature category makes me question why I will even bother watching this award show. (For the record, I also think “Gone Girl” deserved many more nominations, including Best Director and Best Adapted Screenplay, and I would have loved “Skeleton Twins” or “Obvious Child” to have gotten a screenplay nomination). Continue reading
Just over two months ago, I lamented the fact that 2014 was shaping up to be a poor year for movie quality. In fact, 2014 was churning out much stronger drama on television than at the movies. But, as Rustin Cohle noted, without time, nothing grows, nothing changes.
And time changed the entertainment landscape. Gone were “True Detective,” “Masters of Sex,” “The Leftovers,” and “Mad Men.” In their place? “Saved by the Bell: The Unauthorized Story” and a plethora of fall TV offerings that looked mediocre at best. And the best drama? Back to where we expected it: the big screen. Continue reading
Especially in the summer blockbuster season, it seems that the only movies released are giant, action franchise tentpoles. Just this summer, we’ve had a new X-Men movie, Trans4mers, Godzilla, and Spider-Man, and we’re only two days into July. And I’m not alone in thinking that the good, mid-range movie has gone the way of the dodo (or, flocked to AMC and FX and HBO to become the next great miniseries. See: Fargo. See also: True Detective. See further: Mad Men.)
Vulture interviewed Billy Bob Thornton in advance of the premiere of Fargo, and this is what he had to say about television versus cinema:
It’s been a long time since you’ve done series TV. Why come back now?
It’s where we are headed. If you’re going to make something for adults, the mid-level movies the studios used to make, they’re gone. TV is where you do it. This is where actors get to actually do the kind of acting we used to do. If you’re going to do an independent film like I’m known for, now they give you $2 million to make it, and they want you to have 12 movie stars so you can get the foreign value, so we’re really restricted in a lot of ways in movies. Meanwhile, the studios are making big event films or real broad comedies or action movies, and that’s really not my bag.
While I would never disagree with Sling Blade (mmhmm), I happen to think that there are some solid, mid-level movies that have come out in the last few years. So, with that in mind, I wanted to highlight some of my favorites. Outside of Star Wars, the Avengers, and countless Lego movie sequels (I hope), we’ll just call these the best of the rest. Continue reading