The morning of Oscar nominations is one of my favorite of the entertainment year. As always, I make my choices morning-of, so as to not be too swayed by narrative. The past few years, that’s become more difficult, as Oscar punditry has become more popular (and started earlier in the year to boot.) Some of these choices are shoo-ins, some of these are dark horses, and each contains who *should* win as well. As always, feel free to tell me how wrong I am in the comments.
Well, as John Oliver rightly noted, 2016 was not a good year. And while I’ll do my best to keep updating this space, regular readers (if there is such a thing) can vouch that I’ve been lacking in posts; mostly because it feels like the world is falling apart. (I say this not as a wholly political statement; for instance, Alan Thicke and Florence Henderson and George Michael have passed while I’ve been working on this draft. Update: Carrie Fisher, too.) But with that said, entertainment is often a good way to express discontent with the current political and social climate, and can often serve as a distraction from, well, our impending doom. So enough prologue: I humbly submit the winners and losers of the entertainment world that were on my radar in 2016.
News has broken that there will be an all-female reboot of “Ocean’s 11.” The remake will be headlined by Sandra Bullock, and produced by her friend George Clooney. For sake of argument, we’ll assume she’s playing the Danny Ocean role (Danielle Ocean?). But who should play everyone else? Let’s break it down. Continue reading
It’s impossible for me to top the epic work being done by television critics this week in memory of the 10-year anniversary of the debut of The OC. Alan Sepinwall, Andy Greenwald and Vulture have great interviews with creator/show-runner Josh Schwartz, and/or discussions of the show, what it meant in the moment, and its legacy. But hey, I’ll give it a shot. Continue reading