Best of the Decade

While of course I’ll write a post about what caught my eye this year, I wanted to take some time to highlight what were the best performances, movies, or stretch of movies over the past decade.  What do we call this decade? Is this the teens? Does that mean we’re about to embark on the roaring 20s again?

Though political machinations have made the last three years feel like they were a decade in their own right, entertainment since 2010 has really seen a lot of change: three Tonight Show hosts, two Late Night hosts, two different Spiders-Man, nearly every movie in the Marvel Cinematic Universe, two different Batmen, the rise and fall (and rise?) of the DC Comics movies franchise, the rise and fall and rise and fall of Ben Affleck, Netflix becoming the most powerful player in the TV landscape, and – oh yeah – the return of actual Star Wars movies to theaters. Suffice it to say, it’s been a memorable decade. Let’s take a look and see what the true highlights were, shall we?  (Note: As always, this is an extremely personal list. You’ll notice no mention of “sitcoms” created by Lena Dunham, nor any shows about and/or containing dragons, to name a few. Glad if others enjoyed them, but they are definitely not for me.)

Best: New “Star Wars” Movies! In 2005, I went to see the first showing of “Revenge of the Sith” in London with my brother and some friends from college. I then saw it six more times in the theater, because it was billed as the final Star Wars movie.  So imagine my shock in 2012 when Disney purchased Lucasfilm and promised to release more movies. “The Force Awakens” was amazing, “Rogue One” was inspiring, and then “The Last Jedi” and “Solo” left me wanting. Also worth mentioning the fantastic “Rebels” animated series here.

Best (for a while): The McConnaissance: Between his bonkers cameo in “Wolf of Wall Street,” his star-making turn in “Dallas Buyers Club,” and the one-two punch of him and Woody Harrelson in “True Detective,” McConaughey could do no wrong.  And then, of course, he made a movie in which he plays a fisherman in a video game. And “Interstellar.” No good thing lasts. 

Best: Sam Rockwell: “The Way, Way Back” is an underrated gem, and though he was primarily known as merely a character actor for much of the decade, Rockwell scored back-to-back Oscar noms (and a win) for his turns his “Three Billboards” and “Vice.” 

Best: The Marvel Movies: Imagine introducing Thor, and Captain America, and Black Panther, and (the best version of) Spider-Man, and Captain Marvel…and then also making several movies wherein they team up? And having each of those movies make hundreds of millions of dollars, and be entertaining (“Thor 2” excepted)? It’s a stunning achievement that so many studios tried to copy (DC and Sony tried to make cinematic universes out of Batman/Superman/Wonder Woman and Spider-Man/Sinister Six, and Universal wanted to make a Dark Universe out of its horror movie monsters).  It’s an incredible accomplishment. 

Mixed Bag: Other Comic Book Movies: “X-Men” movies were both great (“Days of Future Past,” “First Class”) and terrible (“Dark Phoenix,” “Apocalypse”); their spin-offs were good (“Logan,” “Deadpool”); and some of the DC Universe movies were enjoyable (“Joker,” “Wonder Woman,” “Man of Steel”) while others (“Justice League,” “Batman v. Superman,” “Aquaman”) were what this critic might call “atrosh.”

Best: Netflix Series: “Master of None.” “GLOW.” “Love.” “Russian Doll.” “Tidying Up with Marie Kondo.” “Black Mirror.” Both iterations of “Wet Hot American Summer.” And dozens more. It’s no wonder that Disney+ and Apple+ wanted in on the streaming action. 

Worst: Most Reboots and Remakes: Not everyone needed to know about the continuing adventures of the Tanner Family (“Fuller House”) or “Will and Grace.”  Similarly, did we need another “Magnum, P.I.,” another “MacGyver,” or another “Hawaii 5-0?” 

Best: Zoe Kazan: “Ruby Sparks” was brilliant, her work in “Olive Kitteridge” was Emmy nominated, I loved her on “The Deuce,” and then she goes and makes “The Big Sick,” which was the best movie of the year in 2017. (I also *loved* “What If” with her and Daniel Radcliffe.)

Best: Michael Keaton: from getting a scene-stealing turn in “The Other Guys,” to being a great MCU villain in “Spider-Man,” to “Spotlight” and “Birdman,” and even “The Founder,” Keaton put together an incredible decade.

Best: Jake Gyllenhaal: What a weird decade. He moved on from chasing box-office glory (“Day After Tomorrow,” “Prince of Persia”) to really interesting artsy territory (and, you know, “Spider-Man: Far From Home”). His work in “Wildlife,” “Stronger,” “Everest,” “Southpaw,” “End of Watch,” “Nightcrawler,” and “Source Code” show an actor who is hitting his stride.

Best: Bradley Cooper aka Cooper Bradley: “Silver Linings Playbook.” “American Hustle.” Rocket Raccoon. “American Sniper.” “Limitless.” All great. And then he gives us the best movie of last year, “A Star Is Born.”

Worst: Blah Origin Stories: How many “Robin Hood” movies did we need? Surely not the two we got. (Bonus points if you remember both “Robin Hood” movies this decade. One had Russell Crowe!)

Best: Quality Sitcoms: “Happy Endings,” “The Good Place,” “Suburgatory,” “New Girl,” “Brooklyn 99,” most of “Parks and Rec,” most of “Community,” “Superstore,” “Silicon Valley,” the best (i.e. non-first season) of “Cougar Town,” and “Veep” really set a high bar for laugh riots.

Best: Bill Hader: His work on SNL and in “Trainwreck,” were great, and then he went and made “Barry” into one of HBO’s best shows in years.

Best: Brie Larson: Also great in “Trainwreck,” plus solid work to garner an Oscar in “Room,” and then an incredible MCU debut with “Captain Marvel.” Even her work in “21 Jump Street” was great!

Worst: Unnecessary Sequels: The “Hangover” Sequels totally sully the good work of the first one. “Wreck-It Ralph 2” was clearly a cash grab. “Independence Day: 2” might be the biggest drop-off in quality from one film to the next since…well, “Jurassic World 2: Fallen Kingdom.”

Worst: No National Treasure 3?
I mean, what are we even doing here then? 

Worst: Seriously? They made a TV show…musical….called Crazy Ex-Girlfriend? Oy. Hard pass.

Best: Some Reboots (When done properly): “Creed” and “Jurassic World” put oomph back into their respective franchises (though their sequels did not continue the upward momentum).

Best: Guilty Pleasures: “This is Us” reliably tugs on the heart strings every week. “Hart of Dixie” – a show about Zoe Hart, a City doctor who became a small town physician – lasted four majestic seasons. “Girl Meets World” – while admittedly a cash grab – finally answered what happened to Mr. Turner. And “The Challenge” produced a lot of memorable drama, and a number of Johnny Bananas and Cara Maria wins.

Worst: Seriously?? When you watch award shows and things like “Green Book,” “The Shape of Water,” and “The Marvelous Mrs. Maisel” win awards but Amy Poehler never got an Emmy for Leslie Knope, you know that…well I guess that award shows are meaningless!

Best: Amy Adams: Her role in “Arrival” alone probably gets her on this list, but also her work in “Sharp Objects,” “American Hustle,” “Her,” “The Master,” “The Muppets,” and “The Fighter.”

Best: Don Cheadle: His work on “House of Lies,” “Black Monday,” and as Rhodey in the MCU made it a fine decade for the actor. Speaking of “House of Lies…”

Best: Kristen Bell: Her work on “House of Lies,” “Veronica Mars,” “The Good Place,” and brief cameos on “Parks and Rec” moved Bell to the A-list.

Best: Rami Malek: His work on “Mr. Robot” (even when the show’s quality has waned) is fantastic, and when you’ve won an Oscar and an Emmy in the same decade, you’re obviously doing something right.

Best: Other Streamers: Disney+ only just started but it already has a content library (MCU/Star Wars/Old Disney) that will sate me for weeks on end; Amazon Prime and Hulu had quality offerings (“The Handmaid’s Tale” being the best of the lot); and even Yahoo rescued “Community” for its last season.

Best: HBO dramas: “The Leftovers” – What an amazing three-season journey the Garvey/Durst clan took us on. “Boardwalk Empire” and “The Deuce” were the network at its best. And the aforementioned first-season of “True Detective” was sublime. And I may be one of the only ones left, but I’m still a huge “Westworld” fan.

Best movie of each year of the decade:
2010: The Social Network
2011: Drive (this year was hardest for me to choose from of the decade, easily; I also loved 10 Years, Planet of the Apes, First Class, the first Captain America, and more.)
2012: Avengers
2013: Prisoners
2014: Lego Movie
2015: Force Awakens
2016: Arrival
2017: The Big Sick
2018: A Star is Born
2019: Avengers Endgame

Best: This Blog!: Because it gives me a reason – frequently – to thank you for reading my rambling, nonsensical thoughts on the entertainment industry.

20 Funniest Shows….Ever

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A few weeks ago, my friend Kim and I went to see a live performance of Tituss Burgess (“Titus” from “Unbreakable Kimmy Schmidt”). While waiting in line, Kim mentioned that one of her friends had asked why she and I would go to something like that, considering that “Unbreakable Kimmy Schmidt” isn’t one of the 20 funniest shows ever. I don’t disagree with the unnamed critic, at least as far as rankings go (though, as long as it’s a show that I enjoy, why wouldn’t I pay to see Tituss (and Jane Krakowski) live?). But of course, it got me thinking about what shows actually are the 20 funniest ever.

A few caveats: 1) I purposefully did not count talk shows, so you won’t see shows like Late Night with David Letterman, Late Night with Conan O’Brien, Full Frontal with Samantha Bee, Last Week Tonight with John Oliver, or the Daily Show with Jon Stewart on here. 2) Shows get dinged for going on past their natural expiration date. For instance, I have “How I Met Your Mother” off of the top 20 – had it ended after, say, season 4, it easily would have sailed into my top 20. 3) This is a list about funny shows. I know there are good shows, especially on cable, that are categorized as comedies (“Transparent,” “Shameless,” etc.). These are not funny shows. They are purposefully not included. No show has ever been more liberally described as a comedy than “Girls.” Yet there’s not one laugh in any of the episodes I watched. 4) My (long) list of Honorable Mentions is beneath the Top 20, presented in alphabetical order.  5) This endeavor is wholly personal. Please feel free to disagree with me in the comments below. Without further ado, my top 20:

Continue reading

Best of 2015

In many ways, 2015 was pre-ordained to be a massive year. After a down year at the box office in 2014, pundits predicted 2015 would be huge, given the releases of “Star Wars: The Force Awakens,” “Avengers: Age of Ultron,” the final “Hunger Games” movie, and “Jurassic World.” And (for those that have been released), those movies delivered well at the box office (including “World” setting an opening weekend record, and then, you know, “Star Wars” demolishing it.). But there were a number of pleasant surprises that pundits didn’t see coming, and that’s what made 2015 quite an impressive year for entertainment. These are my favorite pieces of entertainment from 2015, presented in no particular order, but, for sake of readability, I’ve broken my list down by categories. Let me know what I missed, or what you enjoyed, in the comments. And, as always, thank you for reading this blog – and I hope you’ll stay with me in 2016. Continue reading

Why I’m Worried About Ant-Man

rudd-antman

I’m an unabashed fan of the Marvel movies, or what’s commonly known as the Marvel Cinematic Universe. I loved the original “Iron Man,” and I remember sitting in the theater in 2008 being captivated by Robert Downey Jr.’s total and complete embodiment of Tony Stark. While I was less taken with “The Incredible Hulk” and “Thor,” I thought “Captain America” was fantastic, and when I heard that Marvel was planning on bringing all of those heroes together for “The Avengers,” I was thrilled. Marvel took characters that were not household names the way Superman, Batman or Wolverine were, and made them into global megastars. When “The Avengers” set the box-office record for biggest opening weekend ever, it was a referendum both on the success of Marvel’s insight and its marketing machine.

“The Avengers” marked the end of Marvel’s “Phase One,” and its “Phase Two” slate, on the whole, has performed well, both critically and at the box-office*. “Iron Man 3” might be the best entry of the series, “Captain America: The Winter Soldier” is the best Marvel movie they’ve made, and “Guardians of the Galaxy” took Chris Pratt and a talking raccoon voiced by Bradley Cooper and made an entertaining, profitable movie out of them.

*The less said about “Thor: The Dark World,” the better.

Marvel’s movies, to date, have an astounding box-office performance. The worst performing movie, “The Incredible Hulk,” made $134 million in 2008, and since the release of “The Avengers,” no Marvel movie has grossed less than $200 million, with “Guardians” bringing in over $330 million, “Iron Man 3″‘s total haul nearing $410 million and this summer’s “Avengers: Age of Ultron” approaching $445 million. (Note: these are just domestic totals.) The average Marvel movie makes $309 million, and while that number is substantially aided by both “Avengers” films, that speaks to Marvel’s ability to deliver what mass audiences want to see.

Which leads me to my concerns with “Ant-Man,” the first movie of Marvel’s “Phase Three.”  While I said that I was an unabashed fan of Marvel, I’m an even bigger fan of Paul Rudd. I loved him in “Clueless,” think he’s the best part of the very funny “Wet Hot American Summer,” and has been invigorated by his frequent collaborations with both Judd Apatow (“Knocked Up,” “The 40-Year-Old Virgin”) and David Wain (“Wet Hot,” “Wanderlust,” “Role Models,” “They Came Together.”) Here are just a few of my favorite Paul Rudd scenes, but believe me, there could have been dozens more added:

(This next one’s not safe for work…don’t watch, Mom and Dad!)

It’s impossible not to like Paul Rudd. It is. If I could watch one roving reporter all day, it’d be Brian Fantana. If I could choose one heir to a candy fortune to hang out with, it’d be Bobby Newport. But you know who may not like Paul Rudd as much as I do (and I hate to even say this)? Moviegoers.

Look at Paul Rudd’s box office resume. His highest-grossing movie is “Monsters Vs. Aliens,” a forgettable animated movie where he played the fifth lead. After that is “Knocked Up,” (third at best on the call sheet), “Anchorman 2” (arguably second banana), “The 40-Year-Old Virgin” (again, arguably second banana), and “Anchorman” (ditto). The highest-grossing movie of his career where you could call Rudd the lead is “Dinner for Schmucks,” and I don’t think I’ve ever heard the sentences, “You know what movie I loved? ‘Dinner for Schmucks.'” said out loud. “Dinner for Schmucks,” “I Love You, Man,” “Role Models,” and “This is 40” all grossed between $67 million and $73 million; that seems to be the range of a typical, Paul Rudd-led vehicle, at its best. I love Paul Rudd. Everyone I talk to seems to love Paul Rudd. But so far, moviegoing audiences don’t love Paul Rudd. I imagine this is how I might deal with various movies of mine underperforming at the box office:

Now, of course, Chris Evans, Chris Hemsworth, and even Robert Downey Jr. weren’t all box-office kings before the Marvel machine got ahold of them. And Chris Pratt, who has just had the best 16+ months ever, as far as box office is concerned, wasn’t printing money for studios before “The Lego Movie,” “Guardians” and “Jurassic World.” But Paul Rudd’s been around for twenty years now; if he were going to be a huge box office success story, wouldn’t it have already happened?

The other, major concern that I have for “Ant-Man” is the fact that it’s had the most troubled production of any of the major Marvel movies. Usually, a director is hired, Marvel OKs the script (to make sure that there are no inconsistencies, and to make sure that each movie intertwines with the rest of the cinematic universe to build to future movies), and months or years later, a gigantic blockbuster is released. This has been a proven formula, even with material as quirky as “Guardians.” But “Ant-Man”? “Ant-Man” has been in trouble for a while now. This Vulture article spells it out pretty well, but the most important thing is to realize is that this is the first Marvel movie where the director (who also wrote the script) was fired off the project. And this is after the movie languished for the better part of eight years in development hell.

So…what does it all mean? Not much, although I wouldn’t be shocked if Ant-Man is the first Marvel movie not to cross $100 million (which I think the studio would see as a major disappointment). You have a star who people seem to love, but who don’t rush to see his movies. You have a movie that’s been rewritten on the fly, with a troubled production for years. And there also may be a sense of superhero fatigue. This summer already had an “Avengers” movie; there will be a new “Fantastic Four” in August, then “Batman vs. Superman” next year and “Captain America 3: Civil War” soon to follow.

And yet…if there’s one studio that can pull a rabbit out of its hat, defying conventional wisdom, it’s Marvel. And I think if there’s one actor who has the temerity to prove me wrong, while at the same time not caring whatsoever about his prior box office fortunes, it’s Paul Rudd. After all, when life hands you lemons…

Happy Sugar Ray/Visor Day 2015!

Happy Sugar Ray/Visor Day 2015, everyone!

I’m going to start with a statement that might shock you: The first song I listened to today was not by Sugar Ray. No, the first song in my head was “April Come She Will” by Paul Simon (specifically this version):

I know, some of you will think it blasphemous not to rock out immediately to Sugar Ray on its eponymous holiday. And while I try not to get too personal on this blog, let me explain why today I needed to hear Paul Simon.

As I said in last year’s oral history, SRVD has always been a way for me to remind myself (and my friends and family) that April is a wonderful harbinger of better times ahead. Over the last twelve years, April has meant Opening Days, finishing finals, warmer weather, and, most importantly, being able to wear a visor again. Above all else, it’s meant that things were going to improve, from the dreariness of winter to the sunshine of summer.

Mark McGrath and company were traditionally a perfect gateway for that, at least for me, and April 1st always perfectly coincided with that feeling. The fact that April 1st also had positive meanings for others made it all the more special: my friend Kevvy’s birthday; Kevin and Sarah’s anniversary; and, of course, Edible Book Day. (That last one is real, by the way.)*

*Evidently April 1st evokes negative feelings for others. Sorry, John Oliver:

So while it’s clear that Mark McGrath is still just as big a fan of mine as I am of him

I had some epiphanies:

The biggest realization is the limitation of the visor. Over the years, I’ve posted pictures and videos of celebrities in visors, arguing for their status as the essential summertime emblem. And then I saw something that broke my heart:

Enjoying a baseball game, that man publicly displays the fatal flaw of the visor: its inability to catch a home run ball. Never before had I seen a visor fail, on such a national stage. It was brutal to watch.

The other realization is that, in the spirit of everyone celebrating in their own way, I have to loosen the reins. No longer can I insist upon a Draconian standard of everyone wearing a visor and listening to the best Sugar Ray songs. (Although let’s be honest: aren’t they all the best?) Sure, April 1st is Otto von Bismarck’s birthday (look it up!), but that doesn’t give me an excuse to act like a Prussian dictator. As Gandhi said, I should be the change I wish to see in the world. And today, that meant  not starting with a Sugar Ray song.

So why Paul Simon? Maybe it’s because of all of his SNL appearances (he is, after all, a member of the Five Timers’ club, and his performance of “Still Crazy After All These Years” at SNL40 was tremendous); maybe it’s because of his Yankee fandom; and maybe it’s because, standing in center field at Yankee Stadium, I have no doubt that his Yankee cap would be suitable for catching a home run ball:

But the real clincher? I think even Sugar Ray would approve of me changing things up. As they put it so eloquently in the song “Someday”:

Someway
When the sun begins to shine
I hear a song from
Another time
And fade away
And fade away

And today, that other time was Paul Simon in 1965. Or, more accurately, me in 2011 watching April and Andy get married on Parks and Rec:

Sugar Ray will never fade away for me. Rest assured, after listening to one Paul Simon song, I put on their entire 2001 album. I’ll be seeing them in concert for the second straight year this summer, and fifth time overall. I’ll be wearing visors (though not using them to catch baseballs) from April through October, and both reminiscing of good times gone by and great times still ahead. But any major holiday, be it Thanksgiving or July 4th or Sugar Ray/Visor Day, has to adapt. It’s evolution. And Sugar Ray itself has had line-up changes, and released albums of…varying…quality over the years.

A visor is a wonderful thing – it surrounds your head, but also leaves available room for ideas (and yes, technically, your hair). It’s protective, but not restricting. And so, for this year, I wish that you all are able to celebrate this wonderful holiday in your own way, however you see fit. Even if that means wearing an 80s style cap that is, for all intents and purposes, 90% visor/brim and 10% hat, like Mr. Simon himself:

I mean that's basically a visor.

I mean that’s basically a visor.

But be sure to tune in next year, when SRVD turns 13. That’s going to be epic. The Sugar Ray Bar Mitzvisor.

Best TV, 2014 Edition

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Well, it’s that time of year. I’m hesitant to do a traditional Top 10 list, if only because there may not be ten shows that I loved, or there may be more, and, as I’ve said before, it’s my blog and I’ll make the rules. So without being beholden to numbers, let’s dive in to the television that I enjoyed the most in 2014. Note: some of these will be individual episodes or moments from a show, and some will be the show’s entire season. I’m sure you’ll figure it out as I go along. Continue reading

Fall TV 2014

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I know we’re still a little ways away from the beginning of the fall TV season, but I figured it’s as good a time as any to write about what I’ll be watching this upcoming season. While some of last year’s picks ultimately ended up being disappointing (I’m looking at you, “Mom” and “Once Upon a Time in Wonderland,”) here’s my best effort at predicting what I’ll be watching live, what I’ll be DVR-ing, and, most importantly, what will be entertaining me for the 2014-2015 TV season. One other note: this is just for broadcast (i.e. traditional network) shows. That’s why, say, “True Detective” season two or stand-bys like “The Soup” or “Last Week with John Oliver” or “The Daily Show” won’t make the list.

Sunday

What I’ll Watch Live: Once Upon a Time, NFL Football

What I’ll DVR: The Simpsons, Mulaney, Family Guy, Brooklyn 99

I am an admitted “Once Upon a Time” fan. Last season, the show had two half-season story arcs: a journey to Neverland to battle the evil Peter Pan, and the Storybrooke crew fighting The Wicked Witch. While the show is never going to mean as much to me (or be as well-written or well-executed) as LOST, it’s still a show I enjoy week-in, week-out, that rewards longtime viewers. As for FOX’s Sunday comedy block, Brooklyn 99 was my favorite new comedy last year; it’s a show that really clicked early on, and gained momentum as the season went on. Besides Andy Samberg’s Jake Peralta, the rest of the cast shines, but especially Andre Braugher and Chelsea Peretti.

As for “Mulaney,” having seen him do stand-up and with the knowledge that he created Stefon, he’s earned a season pass on the DVR, even if that first trailer looked rough. Besides, anybody who can write this Girl Scout Cookies monologue has my undying admiration:

https://screen.yahoo.com/weekend-john-mulaney-girl-scout-000000179.html

And “The Simpsons” and “Family Guy”? They’ve been on the air, what, a combined seventy-five years? (Approx.) And still deliver laughs. Sundays are going to be great for comedy.

Monday

What I’ll Watch Live: Gotham, Monday Night Football

What I’ll DVR: Big Bang Theory [until it moves to Thursdays at the end of October]

Wow, Mondays do not look promising. I know many people will watch “Dancing with the Stars,” “The Blacklist,” “The Voice,” and “Sleepy Hollow,” but…yikes. Not for me. Instead, I’m really looking forward to “Gotham.” Let’s be honest: when you are looking to make a TV show, and toss in Ben McKenzie, Gotham City, and multiple origin stories? Yeah, I’m there.

“Big Bang Theory” is the TV equivalent of comfort food, but I always enjoy it, and to have a few saved on the DVR makes for perfect Saturday-afternoon TV viewing.

Tuesday

What I’ll Watch Live: Selfie, Agents of S.H.I.E.L.D.

What I’ll DVR: Marry Me, New Girl, Mindy Project

I really loved Agents of S.H.I.E.L.D.’s last few episodes, especially they way they tied into the events happening in the Marvel Cinematic Universe (after Captain America 2). Bill Paxton as The Clairvoyant, Agent Ward as a HYDRA spy, the uncertainty surrounding Nick Fury and Fitz and Simmons…all much more enjoyable plot threads than the first few episodes, which were spent dodging the question of whether or not Coulson was a Life Model Decoy. Anyway, a show that, now that it’s entering its second season, I know what it will provide week-in and week-out. As for “Selfie,” I watched the pilot and, while I didn’t live it, the show’s creator Emily Kapnek was the showrunner on “Suburgatory,” a show I loved. Plus, John Cho. “Marry Me” has Casey Wilson, who I loved on “Happy Endings,” and Ken Marino, who I thought was contractually bound to always work with David Wain. The show is from the showrunner of “Happy Endings” (who is engaged to Wilson in real life). Should be funny.

I loved “New Girl” in its first two seasons, but last year was rough, to say the least. With “Mindy Project”, I have high hopes for it, but the show has to stop shuffling cast members and guest stars and figure out what show it wants to be. Both will still be in heavy rotation on my DVR, but I’d like to see both be more consistently funny.

Wednesday

Literally nothing.

No, seriously. Take a look at this schedule:Screen Shot 2014-08-30 at 10.01.51 PM

The best show might be “Black-ish.” You could talk me into “Red Band Society,” possibly. And that “Mysteries of Laura” show? Oof. Here’s the trailer. Never have I not wanted to watch something more. It looks like a bad SNL sketch:

By the way, here’s where I remind you that NBC cancelled “Awake,” one of the best dramas I’ve ever seen, and greenlights things like “Mysteries of Laura.”

Thursday

What I’ll Watch Live: NFL Football

What I’ll DVR: Grey’s Anatomy, A to Z, How to Get Away with Murder

Grey’s is also just comfort food at this point – I don’t really like many of the characters, it’s sometimes too soapy for words, and there’s rarely a plot twist I haven’t seen coming hundreds of miles away. That said, it too makes for fine viewing on a cold Saturday when I don’t feel like leaving my couch. “How to Get Away with Murder” looks like one of the more promising new shows, with star Viola Davis as a law professor with a potential dark side.

As for “A to Z,” I watched the pilot and found it incredibly charming (I’ve embedded it below). It’s got a lot in common with “(500) Days of Summer,” especially given the close-ended nature of the central relationship. But I’m going to give it a shot. However, if the showrunners kill off Cristin Milioti like “How I Met Your Mother” did, I will be very upset.

http://www.nbc.com/a-to-z/video/a-to-z-pilot/2804273

Also, let me just bemoan the fact that “Parks and Rec” won’t be airing until winter 2015. I’m going to miss that show.

Friday

What I’ll Watch Live: Masterchef Junior

Kidding. Made the same joke last year. Will hopefully have social plans. Nothing worth DVRing on this night anyway.

Saturday

What I’ll DVR: Saturday Night Live

Even after a down season, this show still provides laughs in its best sketches. And I have high hopes for last year’s breakout stars Kyle Mooney and Beck Bennett.

https://screen.yahoo.com/beer-pong-090000354.html

Other Notables:

Whenever “Community” premieres on Yahoo; “The Cosmopolitans” on Amazon, assuming it gets picked up (because any show with Adam Brody deserves my full attention).

https://screen.yahoo.com/community-sizzle-reel-203225340.html

Any shows you think I missed? Shows that I just shouldn’t be watching? Be sure to leave a comment.